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4 UMMA Objects
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This photograph depicts a view of a hilly landscape and a long fence that curves throughout the countryside and into the distance. The fence is made of steel cable and poles with a wall of white fabric hung throughout its length.  
Running Fence, Sonoma and Marin Counties, California
1976
Gift of Scott Hodes
1997/2.1
“BURRILL” 2x4” wood beam resting on two 2x4” cut into squares and placed at either end of the beam; signed on top “Richard Nonas Jan 1974.”
Richard Nonas
Stopped Bar Series, Two Up
1974
The Dorothy and Herbert Vogel Collection: Fifty Works for Fifty States, a joint initiative of the Trustees of the Dorothy and Herbert Vogel Collection and the Nation Gallery of Art, with generous support from the National Endowment for the Arts and the Institute for Museum and Library Services
2008/2.248A-C
&quot;The mountain occupies most of the landscape, but the entire mountain appears somewhat one-dimensional and it becomes hard to recognize any sense of recession within the landscape.&nbsp; The effect of learning from woodblock paintings and manuals can also be seen in Taiga&rsquo;s bold, dark outlines that are supposed to represent to the ruggedness of the mountain.&nbsp; Finally, because Taiga did not provide a detailed rendering of the waterfall, and instead portrayed it with minimalistic brushwork, the waterfall seems to have lost a sense of motion.&quot; The background of the painting is gold.<br /> <br /> Kaplan, Emily. &ldquo;A Mountain Landscape with a Waterfall.&rdquo;&nbsp;<i>Japanese Landscapes</i>, 18 Dec. 2009, japaneselandscape.wordpress.com/literati/literati-prints/a-mountain-landscape-with-a-waterfall/.<br /> <br /> Landscapes and flower studies<br /> There are many different kinds of flowers drawn within fan shapes and rectangles.
Ikeno Taiga;Ikeno Gyokuran
A Mountain Landscape with a Waterfall (Taiga side of screen); Landscapes and Flower Studies (Gyokuran side of screen)
1750 – 1776
Museum Purchase
1958/1.90
An image of a landscape with rising cliffs and a waterfall in the background. A large tree grows outward from the right, near a building. Two people appear in the window of the building and a river runs towards the viewer in the foreground.
Kawaji Katei
Landscape after Buson
1800 – 1850
Gift of Stephen Addiss in memory of Calvin French
2016/2.306
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